Photography is said to be the medium of the split-second, the art of the decisive moment. In the blink of an eye it lends meaning to what takes place around us. Isolated from the sea of time which surrounds them, these moments make their way through our society. They land on the pages of newspapers and in family albums, appear on billboards and computer screens, hang in museums or on refrigerator doors. There they begin to live a life of their own, as a fact or an omen, as evidence or a warning.
Our society today pours these moments out on us lavishly. Day in and day out we have new images dished up to us, images that barely have caught our attention before they are replaced by still newer images. Time after time we are confronted with fleeting fragments that awaken the suggestion that past and future are inextricably linked.
But can a photo tell us everything? Can the frozen fraction of a second do justice to the many facets of an event? How do you visualize change and development? How do you show cause and effect?
Those are the questions Traces & Omens is about, an exhibition and a book dealing with the visualization of time. In a extensive presentation 42 photographers from 18 countries try to set time in motion again with still images, in an attempt to free photography from the moment. They create family narratives and social documents, photograph landscapes, interiors and traces of war, make cool records or stage imaginative scenes. They reveal the budding of the body and the waning of beauty.
They show us what we are must not forget, and give the split second a past and a future again. Traces & Omens is about looking at time and therefore about photography itself.