Blog

30 years Noorderlicht

11 | 30

I really like that Noorderlicht are open to all forms of expression within the photographic domain. From analogue to digital, collage and all the manifestations of the medium, thus offering all sorts of photographic artists a platform to exhibit.

10 | 30

“There is still an important role for Noorderlicht as a ‘fringe’ institution, which operates on the edges of photography and continues to take a critical look at society. In this way, Noorderlicht can continue to give new visions of what photography can mean for society, science and our perception of reality.”

09 | 30

“Since the festival increasingly pays attention on man’s impact on nature, showcasing photographers that document these acts of violence we commit against our environment, I hope Noorderlicht continues to do what it does best: continue to exhibit photography from all over the globe and show us a perspective as no other medium can do.”

08 | 30

“The first time I heard about Noorderlicht was in 2007. At that time, I was studying photography in Barcelona and I asked Pep Bonet about relevant photography festivals in Europe. Noorderlicht became a reference to understand the breadth and the possibilities of documentary photography.”

07 | 30

“Noorderlicht has consistently had a singular vision of photography that encompasses a wide range of approaches and creativity, while also remaining relevant to the issues and themes of the day.”

06 | 30

“Noorderlicht looks beyond the traditional ways of photography and is open to new narrative forms. The story is always the starting point. Not the story we always hear, but the other one.”

05 | 30

“It’s a challenging time for institutions promoting photography, but an exciting one as well. I would like to see Noorderlicht act as a regional hub to connect with institutions and individuals to highlight photography as a tool to move ideas and connect with the humanistic roots of what the medium offers.”

04 | 30

“I foresee and hope for a continuation of the current direction of the annual Noorderlicht International Photo Festival: not only zooming in on photography itself, but as well on the individual ways of working.”

03 | 30

“Noorderlicht shows how important a cultural organization can be in a region, as a driving force behind expertise and ambition. The north does not really stand out in its ambitions with regard to the field of books. But Noorderlicht does see the importance.”

02 | 30

“My favourite exhibition was ‘Nazar - Arab eyes’ in 2004. In the height of post 9/11 world and the Afghan and Iraq wars, not only did ‘Nazar’ speak up on these issues, but the exhibition also offered a clear vision, that went radically against the mainstream way of thinking. ‘Nazar’ contained everything that Noorderlicht stands for.”