Leo Divendal (1947) shows a selection of photos made for his book Divendal. Exhibited are, women's portraits (1992), photos of former concentration camp Terezin (1992) and photos taken in the Turkish village of Kesikkopru (1993). Jan de Goede writes about Divendal: "Comparing his photos to the quantity of photographic images poured out trying to force sensationalism upon us, then these photos posess a relieving silence, subtle riplings stimulating our senses and inciting contemplation. I experience Divendal's photography as a form of poetry. His camera is the thoughtful eye that tries comprehend things with a reflective perspective. His photos are special as they witness intensely the experience of seeing with an unemphatical quality."